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provides a fascinating examining of the New England’s gravestones and their social aspects written by James Deetz and Edwin N. The study provides a multi-regional study of New England’s gravestones to reveal differences and patterns.
Deetz and Dethlesfen found that tombstones farther away from Boston exhibit more diversity in their design.
The Archaeologist’s Lens Looking at a burial ground through the eyes of an archeologist is one starting point.
Most likely dating back to the 2nd century AD, the tombstone may be for a person named Bodicacia or Bodica, according to Ed Mc Sloy, Cotswold Archaeology's senior finds and archives officer.The Italian marble one might come across in a Utah graveyard, was possibly originally used as ballasts on ships anchored in New Orleans.We also learn about the localization of common gravestone art.In fact, we learn that during the 16th century, the willow was “a symbol for lost or unrequited love,” and according to Hijiha, “represents grief over someone’s death” by the time it appears on gravestones between 17.One might wonder why a specific gravestone appears undecorated when compared to others in the graveyard—or indeed, even others in the same family.
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The also exhibit modified versions of traditional motifs, specifically the Death’s head. Stone carvers began to modify the common Death’s head motif, rather than incorporate newer designs in rural areas. Schoemaker examines tombstone art in nineteenth century Utah.