Silver face twin reverb dating

Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly (just as with Fender guitar neck plates).

leftovers.” Regarding production he recounted the following information: “I think I remember being 'pushed' to come up with 30 of the simpler chassis (Super Reverb? But it wasn't always 'cool guitar' amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs.In order to date a Fender amp or provide the value, you need to know one of the below: * The 2 letter date code rubber stamped on the Tube Chart, or * The 2 letter date code on the QA Sticker, or * The Transformer Number that starts with “606-XX-XX”, with the 3 or 4 Xs being the unknown numbers that need to be provided by the owner of the amplifier asking the question.: The transformer number tells you when the transformer was made and not necessarily the date the amplifier left the Fender Factory, the “2 Letter” date code on the Tube Chart or QA Sticker actually tells you that and that makes it the most accurate option for dating the month and year it was made....Model/Circuit Number: AC568, AA769, AA270 Years of Production: 1968 – 1982 Era: Silverface Configuration: Combo Controls: Silver, forward facing w/ blue labels Knobs: Black skirted w/ chrome center, numbered 1 – 10 Faceplate Bias: Fixed, adjustment pot or balance pot Rectifier: Solid State Comments: A master volume was added in 1972.Other late seventies circuit changes included a Line Out jack, hum balance pot, and a pull boost sw.

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